it just gets louder or softer for the most part. The POD (or at least the XT) is like a static filter that just colors everything the same. But nothing really close to what I want - and, after many hours of experimental probing and knob-twisting - no promise that I will ever find a way to trick it into what I want.Īt the bottom of that is a very pronounced lack of responsiveness to playing approach and technique. Stuff that comes within a long throw, maybe. So it's with real disappointment that I have to report that, for me, and the tones I like, the POD offers pretty close to nothing. But the idea of being able to dial up a range of tones quickly, store, and recall. I have a few amps, a Blues Jr, a Lexicon Signature 284 low power rack amp, a couple funky low-end 40 and 50 year old jobs. The idea of such a device is, to me, golden. And when I say exploring, I mean really pushing, prodding and twisting every nob on pretty much every patch. Pod studio ux2 comes standard with the pod farm 2.5 plug-in suite and cubase le recording software, giving you a powerful collection of recording tools.
#LINE 6 POD FARM 2.5 MANUAL#
"A few years back, a pal parked his POD XT with me and I've now spent several long evenings exploring every patch. View online operation & user s manual for line 6 toneport ux2 sound card or simply click download button to examine the line 6 toneport ux2 guidelines offline on your desktop or laptop computer. I found here ( ), the words to describe what I don't like in the POD FARM amps and overdrive effects (most of them) (from theblue) :